Teeside

Teesside on Film

I’ve been volunteering with Tees Valley Arts on their Real Tees Valley project, where I’ve been engaging with members of the public and encouraging them to take time out of their day to watch the films made by young people.

The films deal with major issues such as transitioning, mental health issues, fleeing a war zone and just about being young in Teesside. What makes the films so unique is that you hear their voices, rather than how other people might misconceive them, their feelings laid bare.

Sadie” is, for me, the moving film, having gone through darkness myself. For her to be so open about it takes so much courage and with so many people taking their own lives we need to be more open about the challenges people face.

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Displaced by Mohammed Albedai

At age 17, Mohammed captured his own footage of his journey from Damascus to Hartlepool using his smartphone. Now 21, his film highlights the effects of war and destruction on normal families. This ground-breaking film as a personal account of the dangers and horrors of war, the risks of escape and the community he became part of both as during his flight across Europe, and in this Teesside town he has made his home.

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Sadie by Sadie Rogers

19-year-old Sadie from East Cleveland takes us along a journey from poor mental health through recovery, by documenting images of her travels and her music. After taking a downward spiral during her last year at sixth form college, she recounts how traveling on buses gave her the space to rethink her future and helped her decide to continue living and learning on Teesside.

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Hilton New Milestones – Alain Ayers

Hilton New Milestones – Alain Ayers

The Hilton New Milestones resulted from a collaboration between two commissioning groups – Hilton Parish, with members of the community and Parish Councillors, and Cleveland Arts, the countywide Arts Development Agency. New Milestones is an ‘arts in rural areas’ initiative from Common Ground – a broad-based environmental and arts organisation in London. The project was developed and carried out over a two year period and was completed in October 1989. The essential philosophy behind the commission was for the local community and artist to work together to decide upon the way in which the artworks would evolve, which had, in turn, to relate to the locality, and reflect what was significant or important to the community.

In November 1988, Alain Ayers began to make a series of works in local stone – old farm gateposts and new stone from a nearby quarry at Stainton. The works are linked both through position – they mark boundaries and footpaths; and imagery – related to the landscape; agricultural history, flora and fauna, church art; seasonal change. The eight pieces of sculpture are Alain’s response to the place, the people and history of Hilton. It acknowledges that the countryside is in a state of transition and draws attention to why the countryside looks as it does and the role communities have.

Hilton Wheel

Central to the village, and all the other works, this is the size of a cartwheel. It refers to several things; Alain’s French grandfather, a wheelwright; a wooden cart found in the old stables and smithy which were part of the village ancestry and demolished during the time of the project for a new house.
On the wheel are carved nine images. In the centre is a combined Christian and Celtic Cross – taken from an embroidered image on the Church altar cloth. Arranged around this are: a formalised ram’s head; birds’ feet patterns seen in the winter snow as it reflected the stars above – it can also be seen as a snow-flake crystal., an oak-leaf cluster; a collection of spring and summer flowers; intertwined horse- shoes; a fish or flame motif taken from the fragment of medieval wall painting in the church; a wheel which refers to agricultural machinery. The carvings express the cycle of the year through the changing seasons.

Three Bowls

Placed as a Northern Boundary Marker on the footpath to Maltby. Three bowls, one a crescent, another a full circle, the centre bowl a circle with a hoof carving. Along each stone are interlocking horseshoes which refer to the Dales Ponies kept in adjacent fields. A place to rest where also the industry of Teesside is visible in the distance.

Sheep Bench

At the top to the valley at Brewsdale, looking out to the Cleveland Hills. These carved gate posts have an animal stillness: one becomes a ram, the other a ewe, indicating the farmer’s links with sheep rearing.

Brewsdale Stepping Stones

On the footpath across the beck. The Southern Parish Boundary and the border between Cleveland and North Yorkshire. Each stone is carved with images of leaves which were drawn by children from the parish, a connection with their future.

Roadside Markers

All stones placed on the Parish Boundaries, each with a carved image of a metal agricultural implement.

Scythe

Yarm Road to West

Billhook

Maltby Road to North

Ploughshare

Seamer Road to South

Sheep Shears

To find Hilton

A19 from North

Turn off for Yarm (A174) then follow signs for Yarm (A1045, A1044). Also signed for Teesside Airport. Turn left off A1044 at Fox Covert Pub for Hilton.

A19 from the South

Turn off for Yarm (A67), through Kirklevington and then turn right at roundabout on to A1044 (signed for Thornaby, Middlesbrough, Redcar). Turn right off A1044 at Fox Covert Pub for Hilton.

Funding

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Mechanical Arch

Mechanical Arch

Artist

Mechanical Arch by Roy Kitchin (1983)

PMSA Record

Extract from the Public Monuments & Sculpture Association:

A gantry-like structure suggestive of the forms of Cleveland’s steel rolling mills and Tees Transporter Bridge. The whole work is painted blue and stands at an angle between the entrance gates and the gallery.

The piece cost £8,000, £5,500 of which came from Cleveland Councty Council, £1,400 from Northern Arts and the rest along with materials from British Steel.(1)

See more here.

Gallery

Funders

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Sundial by Neil Talbot

Sundial

PMSA Record

Commissioned by the Teesside Development Corporation and executed by Neil Talbot, the sundial was installed in 1995 in front of the Cleveland College of Art and Design.

Extract from the Public Monuments & Sculpture Association:

Part of renovation of town centre. (1) Shows local geology of Tynemouth

See more here.

See duplicate entry here.

Artist

Sundial by Neil Talbot

gallery

Funding

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